poster

Where the Buffalo Roam
Director: Art Linson
Year: 1980
TRT: 1:39

Reviewed: 2/15/2025
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There’s not too many movies out there that make me want to smoke biker meth. No, not that 2025 clean meth with a sminch of fentanyl, I’m talkin the greasy trucker meth of old. I do not recommend this for the average viewer, biker meth or otherwise. But if this was still 1972, all bets are off.

Paragraph 2: The summaries here are irrelevant, just watch the fuckin show. Bill Murray as Dr. Gonzo. Peter Boyle as the lawyer Lazlo. Snapshots of pure lunacy.

This really isn’t a coherent story. More of a pastiche, a patchwork, a warm fuzzy blanket of craziness, as it were, of Hunter S. Thompson fuckitudes and enlightenments. Back when “Why Be Normal?” Meant something. Drugs? Bad. Drugs and alcohol? Badder. Usually. Here? Debatable. But I do have to give Bill Murray some credit here for doing a good job with pulling off the Thompson persona. Both him and Johnny Depp made it to the final cannon firing of his ashes up the Colorado way after the insane mofo did himself in. Is this a great movie? No. Is it an awesome movie? Yes. Say what you will, Hunter S. Thompson was a madman fueled by alcohol, drugs, and typewriter ink that has been captured by few. Bugshit insane? Maybe. But my kinda crazy. Can’t say I agreed with everything the dude wrote, but his insights? One of the best cracked lenses to view this crazy world through. In my opinion. Nixon!


Great Quote: “Fuck the doomed.” - Nixon. Allegedly.

Great Casting: Michael Lee Gogin- The short dude Bellhop, who also stars in Gilliam’s Fear & Loathing

Other Notes: This movie isn’t for everyone. But Murray does a great job using his comedic devices to channel the insanity of the man’s writings, which is a true feat in itself. It’s the counterculture with an intelligent zing. It’s madness captured on the written page. This is a pale ghost of that, on film. Still funny though. Terry Gilliam’s take in Fear & Loathing in Las Vegas gives it a more serious and occasionally more ridiculous take. Neither can fully capture it though. That’s reserved for the words themselves. And nice titles by long-time collaborating illustrator Ralph Steadman.


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